Visualizzazione post con etichetta Uffizi. Mostra tutti i post
Visualizzazione post con etichetta Uffizi. Mostra tutti i post

mercoledì 13 novembre 2013

Perché studiare l’italiano? Intervista a Sylvia Plyler, studentessa dell’ISTITUTO EUROPEO


Sylvia

 di Ilaria Gelichi



1) Sylvia raccontaci qualcosa di te: com’è nata la tua passione per la lingua e la cultura italiana?

Vengo da una cittadina del South Carolina e sono una musicista, quindi sono sempre stata attratta dai suoni. Da ragazzina suonavo il pianoforte e sono arrivata alla lingua attraverso le musiche di Bellini, Donizetti, Verdi, ecc… Le 24 Italian hits, come le chiamiamo in America. Ascoltare l’italiano per me è come ascoltare della musica: il suono, la melodia della lingua sono molto belli.

2) Perché hai deciso di studiare l’italiano?

Ho deciso di iniziare lo studio dell’italiano a causa della musica, che è la mia professione. Sono qui anche per migliorare la mia pronuncia, così posso parlare meglio l’italiano con gli italiani. Per me non è così difficile pronunciare i suoni italiani, forse perché a scuola ci hanno insegnato ad usare l’IPA (International Phonetic Alphabet), ma anche perché ho un buon orecchio per la musica – una qualità importante anche per imparare una lingua. Penso che sia fondamentale conoscere l’IPA per lo studio delle lingue; oggigiorno invece i giovani non sanno neppure cosa sia.

3) Perché hai scelto Firenze?

Perché Firenze è il luogo dov’è nata la musica! Pensiamo ad esempio alla Camerata Fiorentina: era un gruppo di poeti, musicisti ed intellettuali che, durante il Rinascimento, si incontravano al palazzo del Conte Giovanni de’ Bardi a Firenze per discutere di arte e musica. Firenze non è soltanto la città natale della musica, ma ovviamente anche della lingua italiana, grazie ai capolavori di Dante, Boccaccio e Petrarca.

4) Da quanto tempo studi l’italiano?

Sono venuta in Italia per la prima volta (in particolare, a Firenze) nel 1980 per studiare l’italiano. Ho passato un mese in questa bellissima città, cercando di concentrarmi sui suoni della lingua. Ho insegnato musica per 25 anni, quindi i suoni sono molto importanti per me!
Negli Stati Uniti ho studiato il latino, poi ho avuto una meravigliosa insegnante con cui ho imparato a tradurre i libretti. Riuscivo a capire piuttosto bene la musica, ma non altrettanto bene la lingua; ed ho imparato un sacco di parole arcaiche e difficili, che però erano di poca utilità per la lingua di tutti i giorni. Il mio obiettivo adesso è migliorare tutte queste abilità.

5) Cosa ti piace di più dell’Italia e di Firenze?

Beh, tutto ciò che ancora non ho fatto! Non dimenticherò mai la mia prima visita agli Uffizi, quando per la prima volta ho ammirato un’opera di Botticelli: è stata un’emozione incredibile. Mi piace Firenze perché è la culla, la città natale di un sacco di cose: la lingua, l’arte, il Rinascimento. Volevo stare a Firenze non solo per la lingua, ma anche per l’aria che si respira: c’è qualcosa di affascinante in essa.

6) Come hai conosciuto l’Istituto Europeo?

Per caso. Avevo uno studente, un pianista bravissimo che adesso lavora in Germania. Aveva studiato all’Istituto Europeo nel 2011 e mi disse “Perché non vai anche tu a studiare lì?”. Mi misi in contatto con un’istituzione a Chicago, ho ricevuto una borsa di studio e così sono arrivata all’Istituto Europeo. Penso che un musicista, ma soprattutto un cantante lirico, dovrebbe assolutamente fare un periodo di studio in Italia, perché ascoltare una lingua nel suo paese di origine è molto meglio.

7) Com’è stata la tua esperienza all’Istituto Europeo? La consiglieresti?

Favolosa, assolutamente meravigliosa. Ho studiato l’italiano anche in altre scuole e Istituti, ma penso che questo programma sia migliore. Qui le classi sono piccole, abbiamo un sacco di attenzioni da parte dell’insegnante e possiamo fare delle domande. L’atmosfera è così tranquilla qui! Date l’opportunità agli studenti di fare ciò che amano… Consiglierei assolutamente questa esperienza.

martedì 12 giugno 2012

Interview with Vincenzo Damiano, Bar Caffeteria Damiano, Via del Parione, 46r



1. Vincenzo, tell us a little bit about yourself ...

My name is Vincenzo Damiano. I'm 47 years old. My starsign is Sagittarius, I'm a bartender, I do it (my work) with love and hope that everyone who comes here feels at home ... and then if you want to know ... I'm married with two beautiful kids ... Andrea and Maria Claudia.

2. Tell us about your Bar Caffetteria Damiano

This bar was created in 2003. It had already been working so much with the students because in front of the bar was a faculty called Faculty of Education that worked with bargirls aged 17 to 18 years.

3. What did you do (and where) before opening the Bar Caffetteria Damiano?

Before starting the bar I went to school. I studied surveying. I came to Florence and I loved the city. And that's when I started working as a bartender. Since then I can not do without this work; it’s like a drug for me. I can not live without this work.

4. What prompted you to start your own business?

The fact is that I love being with people. I love people; the beautiful ones, ugly ones, fat ones, sad ones, and I try in my small way of being able to put everyone at ease in front of me. After almost 25 years in this field of work, one also becomes a bit of a psychologist.

5. Describe a typical day for you

My typical day ... I get up at 7:30am, I come here to the bar ... it's like playing the fool, I get busy, the game, I am the people, laugh, joke ... and then work at the same time. I especially like when I see people who are a bit sad - I try to cheer them up a bit.

6. What is the best thing about working for yourself?

The fact that no one can say anything ... I do not take orders from anyone, but only for myself. This can be a risk though. In practice if you work for someone else and you lose a customer, you won’t lose your job. Whereas when you work for yourself and lose customers, your business may gradually fail.

7. How has business changed since you started?

This is a good question, this activity is now suffering because of the dramatic falls in circulation in this activity as you feel the crisis in all sectors and throughout the world ... but after 25 years of this work I can still enjoy myself because I sincerely make sure I'm really enjoying this job.

8. What is your favourite thing about Florence?

I like the globalism and tourism in Florence; you can talk with somebody from Russia one day, somebody from China another day, somebody from India, America or England another day. Florence is multiethnic: you can meet people from all over the world here.

9. What is your least favourite thing about Florence?

Hypocrisy. In general I do not like hypocrisy, not only in Florence but throughout the world.

10. What advice would you give to young people (who are hoping to start their own business)?

To believe with all their strength so it will have a high power. I wanted to have my own business and with many sacrifices I made it. I think that nothing is impossible; you can live your dreams if you work hard, though you may have to sacrifice a lot.

11. If someone is visiting Florence for a day, what would you recommend they do / see?

One day in Florence is not enough; Florence is such a unique city. But at least visit the Uffizi.

Athens and Florence: the Foundational Relation of Western Culture

Piazza della Signoria shines in the sun of June. The severe solidity of Palazzo Vecchio, the graceful and spacious arches of the Loggia de' Lanzi, the crowd of classical and Renaissance statues staring at the passersby with their eloquently silent gaze- all this conjures up a sense of harmony, lightness and luminosity as one could find only on the Acropolis, when the summer sun and its reflections on the Aegean immerse the Parthenon and the temple of Poseidon in a bath of light. Florence as the new Athens: the proofs of this equation are under the very eyes of the one who looks at the city on the Arno through that idea of beauty first incarnated on Greek soil. One would have no difficulty thinking that Plato would have found himself at ease under the porch of the Uffizi or strolling along the benches of the Arno: he would have admired here that same sense of equilibrium and profoundly discrete beauty that nourished his soul in his native Attica, where he spent his days walking out and about with Socrates through the Stoá Poekíle and the Agorá. We know for sure that his alleged reincarnation -if we want to agree with Cardinal Bessarion- enjoyed Florence very much. Georgios Gemistós, called the Plethon, lived here for four years during the period of the Council of Ferrara and Florenze (1437-39), teaching at the Studium on the differences between Aristotle and Plato and reintroducing to the West the texts of the latter. He was among those Greek scholars and prelates who came as the delegation from the fading Byzantine Empire to discuss the re-unification of the Eastern and Western churches. When he arrived, the power of the Medici had just begun and Florence was not yet very far from the violence and austerity of its Middle Ages. The city was not yet adorned with statues purposefully remindful of Classical Antiquity and the dome of Brunelleschi had still to gentrify the fierce skyline formed by the multitude of spear-like towers. Born in Greece and raised on the texts of divine Plato, Plethon is among those, who bringing Platonism back to the West contributed immensely to giving Umanesimo its form. Benozzo Gozzoli represented him in the center of his fresco in the Cappella de' Magi: the philosopher stands side by side to the artist, as if the latter wanted to underline a spiritual offspring from the former. Plethon stands out from the middle of the crowd for his intense look and his penetrating eyes that provoke the observer. He was indeed a father-like figure to many geniuses who populated that period: Ficino, Pico della Mirandola, Poliziano, Lorenzo il Magnifico, Botticelli, Piero della Francesca, Michelangelo all fed and debated (sometimes harshly) on the rediscovered words of Plato and Plotinus, Proclus and Damascius opened up to them by Plethon: from this fermentation the idea of homo copula mundi finally came out as an unshakable cornerstone, on which Europe and the Western world founded its astonishing development. Maybe there is no more powerful symbol of this new spirit and its view on man and the world than Michelangelo's David: a miracle of beauty, balance and nobility incarnated in the decisive and strong gaze of a young boy, who stands in front of Palazzo Vecchio as an image of the daring attitude of this new Athens that is Florence. Constantinople was then agonizing, the whole of Greece was already under foreign yoke: yet, in its ultimate struggle the Greek world gave us its most delicate and fruitful flower. Without Greece there would have been no Renaissance, no Michelangelo, no Ficino, no Botticelli. Maybe, it is worth keeping this in mind, in this period in which Greece seems again caught in an agonizing struggle.

giovedì 13 ottobre 2011

ISTITUTO EUROPEO Study Abroad: Google Art Project Increases Visits to the Uffizi Gallery

Botticelli's Venus

By Paige Gherardi

Thanks to the Google Art Project, which brings 17 world famous museums to life through similar technology used for Google Maps Street View, the Uffizi Gallery has seen a dramatic increase in both real and virtual visits. The Uffizi tracked its attendance numbers since the inauguration of these virtual tours, which had an immediate reaction of almost 10,000 visits. In the days and weeks following the Project launch the museum had over 3,000 virtual visitors per day. To give an idea of the quality Google Art Project brings to virtual visits, Botticelli's Venus was captured in a high resolution image of 17 billion pixels. This new partnership with Google is also helping the Uffizi Gallery direct traffic on the web to their official site, which steers patrons away from the many websites that sell advance tickets for almost double the cost of museum entrance. It was unclear what the results of the Google Art Project would be, but it has proven to stimulate interest in the Uffizi and give those who cannot visit it personally the opportunity to see its timeless collections.


To see the Uffizi Gallery and other museums go to www.googleartproject.com. It is also possible to see the inside of museums using Google Maps but it does not give you a floor plan or guide to famous works of art. 

giovedì 3 giugno 2010

The Florence Newspaper: Uffizi Gallery Now Available on iPod Touch, iPad, and iPhone


The Uffizi Gallery in Florence, the oldest museum in modern Europe and one of the most visited in the world, has become the first Italian museum to go on iPod, iPad, and iPhone.

The ArtFirstGuide “Uffizi” Apple application allows users to discover the Uffizi’s great masterpieces of Italian and European art via iPod, iPad, and iPhone. The platform includes a virtual tour of the museum and close-ups of thirty-three masterpieces including Botticelli's Venus, Leonardo's Annunciation, Raphael's Madonna del Cardellino, Michelangelo's Tondo Doni and Caravaggio's Medusa.

Developed by the Parallelo and ArtFirstGuide, ArtFirstGuide “Uffizi” provides expert descriptions and videos of the Uffizi’s most famous masterpieces as well as information on opening hours, ticket bookings, and upcoming events.

The application can be downloaded from the Apple and iTunes online stores.

Aplpication Details:

ArtFirstGuide “Uffizi”
Version 1.14
$1.99
93.7 MB
Available in English, Italian, Spanish
Created by Parellelo and ArtFirstGuide
Compatible with iPhone, iPod touch, and iPad.
*Requires iPhone OS 3.1.2 or later

www.florencenewspaper.it

martedì 1 giugno 2010

Information: Art Exhibits in Florence in the Month of June


DE CHIRICO, MAX ERNST, MAGRITTE, BALTHUS: UNO SGUARDO NELL'INVISIBILE
February 26 - July 18, 2010
Palazzo Strozzi
info: 055 2645155
www.palazzostrozzi.org

ANSIA D'IMMAGINI. ITALO ZANNIER FOTOGRAFO: 1952-1976
April 17 - June 13, 2010
Museo Nazionale Alinari della Fotografia
info: 055 216310

LA GRANDE MADRE. I LEGNI 'NON FINITI' DI GIUSEPPE GAVAZZI
April 17 - January 31, 2011
Villa Bardini
info: 055 2613289
www.bardinipeyron.it

CERAMICHE ANIMATE DI PAOLA STACCIOLI
April 30 - October 3, 2010
Museo delle Porcellane
info: 055 2388709

DE CHIRICO AL 1° MAGGIO MUSICALE FIORENTINO. BOZZETTI, FIGURINI E DISEGNI PER 'I PURITANI' DI BELLINI
May 1 - June 22, 2010
Palazzo Strozzi
info: 055 2776461/06

MARCO MAZZONI. E' UN MIRACOLO
May 5 - June 10, 2010
EX3 Centro per l'Arte Contemporanea
info: 055 6287091
www.ex3.it

MADRI, FIGLIE, BALIE. IL CORETTO DELLA CHIESA E LA COMUNITÀ FEMMINILE DEGLI INNOCENTI
May 7 - September 30, 2010
Istituto degli Innocenti
info: 055 2037331
www.istitutodeglinnocenti.it

AS SOON AS POSSIBLE. L’ACCELERAZIONE NELLA SOCIETÀ CONTEMPORANEA
May 14 - July 18, 2010
Centro di Cultura Contemporanea Strozzina (CCCS)
info: 055 2776461/06
www.strozzina.org

CARAVAGGIO E CARAVAGGESCHI A FIRENZE
May 22 - October 10, 2010
Galleria degli Uffizi & Galleria Palatina
info: 055 23885
www.unannoadarte.it

FIRENZE PREZIOSA 2010 DIALOGHI
May 22 - June 6, 2010
Chiostro dell'ex Convento delle Leopoldine
info: 055 2280131
www.preziosa.org

MARIO FRANCESCONI. VIAGGIO 1960-2010
May 28 - July 15
Palazzo Medici Riccardi
info: 055 2760340
www.palazzo-medici.it

PIETRO DA CORTONA A FIRENZE
June 23 - October 9, 2010
Casa Buonarroti
info: 055 241752
www.casabuonarroti.it

VIRTÙ D'AMORE. PITTURA NUZIALE NEL QUATTROCENTO FIORENTINO
June 8 - November 1, 2010
Galleria dell'Accademia
info: 055 2388609
www.unannoadarte.it

PIETRO ANNIGONI: FRAMMENTI DI DIARIO TRA ARTE E LETTERATURA
from June 5 to September 5, 2010
Museo Casa Rodolfo Siviero
info: 055 4382652 - 055 2345219
www.museocasasiviero.it

DALLA SPIGA AL CAPPELLO. INTRECCI DI PAGLIA TRA ITALIA, SVIZZERA E INGHILTERRA
June 29 - July 31, 2010
Museo Marino Marini
info: 055 219432
www.museomarinomarini.it

DAVID E GOLIA. IL RESTAURO DI DUE FORMELLE SBALZATE E DECORATE DEL MUSEO STIBBERT
May 13 - June 30, 2010
Museo dell'Opificio delle Pietre Dure di Firenze
info: 055 2651347
www.opificiodellepietredure.it

FIRENZE UPSIDEDOWN. ITINERARI E VISITE
June 4, 14, 18, 21, 23, and 25, 2010
info: 055 5520407
www.archeologia.it